Mixed Media in Art

Sep 14, 2020

Has Covid-19 made us more creative?

When lockdown bit, millions of us were left stuck at home, unable to go to work in the usual way. Once we'd finished cleaning out the house, de-cluttering the garage and making-do-and-mending, we started creating. 


People who hadn't painted for years or made artwork since they were kids got busy with the canvas and brushes, chicken wire, metal tubing, found objects... you name it. And as a result of all the extra creative activity, plus virus-led supply chain issues, supplies of essentials started to dry up. But, like the creative souls we are, we soon found work-arounds, everything from strange, weird and wonderful media to simply using a strictly limited palette. 


People have been using all sorts of cool and unusual materials to make artwork throughout the virus crisis. That's what being an artist is all about! We thought it'd be fun to take a look into limited palettes, and explore some of the unusual mixed media artists have been using during lockdown and beyond.   


Using a limited palette

Plenty of artists already used a limited palette before the virus struck. All you really need is a blue, a red and a yellow to create many, many colours. A three colour primary palette will always give you weak colour rendering in one way or another. If you want lots of gorgeous pure purples, oranges, and greens, you'll need to add more colours. Luckily, just the one extra colour will often make all the difference. Maybe you could simply buy a tube of orange, for example, or purple. Alternatively, choose a six-colour primary palette instead, containing one warm and one cool version of red, blue, and yellow. 


Monochrome palettes 

A monochromatic palette is popular with people learning to paint. A severely limited palette of white along with either black or brown forces you to focus on the shapes of things, their form and texture, the way light falls on them, and the shadows they cast, all without the distraction of colour. Some limited mono palettes actually contain three colours, black, white plus another, providing a surprisingly wide range of shades to play with. Mastering an austere mono palette like this can help you build a good, strong foundation on which to paint confidently before you move on to colour. 


Limited palettes containing cool and warm colours 

Some limited palettes contain one warm and one cool colour, plus white. You might, for example, choose to use burnt sienna, ultramarine and white, which blend to create the full tonal range and can also give you lots of exciting warm-cool temperature variations. Again, it's surprising how rich and vibrant a piece of work can be when you limit yourself to just two not-particularly-vivid colours. It's interesting to note the optical illusions you get around colour temperatures, too. Warm shades tend to come forward in a composition, while cool colours fade back into the distance. 


The Zorn palette 

The Zorn palette is a beauty. Created by the Swedish painter Anders Zorn in the late 1800s, it concerns four colours. The passage of time means we're not 100% sure exactly what colours Zorn specified, but experts believe it was a blend of yellow ochre, vermilion or cadmium red, ivory black, and white. Together they create a remarkably complete range of colours. Ivory black can be made to look dark blue, and goes purple-ish when mixed with vermilion. You can use the yellow ochre to suggest green, another example. When you want lots of lovely, rich darkness and depth plus lovely subtle greys, Zorn is for you. 


Saturated paints are best for delivering a wide range of strong, true colour 

If you need to restrict yourself to a limited palette but still want plenty of variety, use good, strong, saturated red, blue and yellow paints, plus white. This gives you an extraordinary range of colours that can be incredibly intense as long as you don't compromise on the saturation of the paints you use. The more saturated the medium, the more jewel-like the colours you can achieve with just four tubes.  


What if you run out of art materials?

When there's no acrylic, oil or watercolour paint available, there's always house paint. Interior emulsion paint has a slightly chalky texture, not as smooth or oily as acrylic paints but pretty good. Some artists never buy those fiddly little tubes of white acrylic, they just use white emulsion or white water-based eggshell paint instead. It's so much cheaper than a tiny tube, and it actually does a top job. 


When you're desperate for texture, you can always add sand to your paint, or soil. You can try grass. Or sugar. You can use a glue gun to give your canvas or paper a texture, 'writing' with the glue to create 3d patterns. You can mix glue with paint and see what happens – depending on the type of glue you use, all sorts of weird and cool chemical reactions can occur. 


If you've run out of paper or canvas, there might be a slab of plywood, fibre board, particle board, marine ply, even a sheet of glass or perspex kicking around in your garage. Painting on a sheet of glass gives you two surfaces to paint on, front and back, and you can let the work on the back be visible through the paint on the front. Does that inspire you? 


You could paint on an old window, complete with frame. An unwanted flat computer screen makes an excellent canvas – just undercoat it with something suitable – acrylic, oil paint, house paint - and you're off. Paint on newspaper. Make art on the actual walls of your home, inside or out. Paint the shed, the outbuildings, the garage walls, interior doors, furniture, you name it. There are no rules. You can paint on anything you like. 


As proved by the 1970s trend for horrible paintings of cute dogs and children on velvet, you can paint on almost any fabric. If it's too floppy, or the paint keeps soaking into the cloth, tape it to a board and give it a coat of PVA to make a decent painting surface. 


No paintbrushes? If you can rustle up a few sticks and some human hair, or hair from your pet, or some string or wool, give it a go. That's the beauty of creativity. There are no boundaries, no rules, no restrictions... and that's great news when there's no yellow acrylic paint to be had anywhere in the known universe! 


What have you been creating art with?

Did you run out of art stuff during lockdown? What did you use instead of regular art materials? And can you send us photos of your creations? We’d love to see what you've been up to. Feel free to email us.

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We are delighted to be working with up and coming Landscape Photographer Owen Clarke who kindly produced this short promotional video of our Bury St Edmunds Gallery for us. It coincided with Owen also creating a video documentary of his journey from shooting photographs on location to printing, framing and bringing his work into the Gallery for us to exhibit. We were delighted (and so was he) when one of our customers purchased his work after being displayed in our window for just a couple of hours. We will be sharing his video story shortly. If you are looking to personalise your home or office with exciting, original art by talented East Anglian artists do call in to see us in Langton Place, Bury St Edmunds or checkout our online marketplace
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We have always been enthusiastic about local art, championing and celebrating the sheer abundance of talent we have in our region, but things have just got a whole lot more exciting here at Art in East Anglia. We have now launched an online marketplace for our members to be able to sell their creative efforts AND we will be opening a physical Gallery for their work to be seen and appreciated ‘in the flesh!’ Firstly we wanted to make it as easy as possible for artists to get the recognition they deserve without having to grapple with difficult technology. So we have been busy simplifying ways for artists to upload their work to our website and for them to be able to make some money from their creative talents - and who wouldn’t appreciate a little more money in their pockets at the moment? Secondly, we wanted art lovers to be able to find and own beautiful, original art whilst supporting the buy local culture that many of us have re-adopted. We think it’s a win-win situation and our new online marketplace is growing every day. If that wasn’t enough, an actual physical gallery seemed the next logical step, so we have managed to find some lovely premises for our first dedicated gallery in the heart of Suffolk. Bury St Edmunds has become a real destination town, having been voted one of the best places to live in the East of England with its rich history, community spirit and culture. It feels the right place for us to showcase our members’ talents. So we have increased our team and we are all are busy painting walls, curating and hanging art ready for opening. As we begin to emerge from lockdown with a feeling of positivity in the air, and fingers crossed that life will start to feel more normal, we hope you will come and join us on the next step of our journey.
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04 Nov, 2020
It wasn't entirely unexpected, but it'  s still a shock. Here we go, back into lockdown, and the virus is spreading faster than ever. At the same time scientists are confirming that this thing isn't going to go away any time soon. It looks like we're in it for the long haul, along with most of the rest of the world. What does that mean for East Anglia's vibrant creative community? Well, for a start it means we'll all be back home again for at least a month, and that means plenty of us will be back at the easel making paintings and drawings, carving, potting, casting, doing all the amazing things we artists do. At the same time, we'd all like to sell more work. Especially with so many people's finances suffering. But with the second lockdown in place art galleries will be closing down again, leaving most of us with no sales outlet for our work and nowhere to exhibit or showcase it. On the bright side, there's our members club to join, The Artists Circle. More about that later. First, let's look at some of the latest online art sales trends. Colonial-era art falls out of favour It's interesting to see a genre of paintings going so completely out of favour as the artworks describing colonial-era explorations. Many auction houses are discontinuing sales of prints and paintings from the era, and Christies is holding its final sale of 120 historical pictures of places from Asia, Antarctica, Africa, Australasia, the Americas and the Arctic. They've been holding sales of this type of art since 1968, but this one will be the last. The last sale contains paintings of explorer ships abandoned in the frozen Arctic ice, views of the Arabian Gulf by John Constable’s son, and images of the infamous Canton hong trading depots, all of which represent a colonial era most of us are happy to consign to history. 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The online event is inviting members of the society to submit up to four pieces of work for consideration for the festive showcase. 44% of Brits due to spend online for Black Friday 2020 Black Friday falls on 27 th November this year, and the Covid lockdown means experts are predicting a vast number of online sales. According to the Global Banking and Finance website “A survey of more than 2,000 people by Atom bank found that 44% of Brits plan to take advantage of this year’s Black Friday sales, with experts predicting that online shopping will hit a peak this Black Friday as savvy shoppers look to take advantage of the online sales, whilst non-essential shops remain closed throughout lockdown 2.0.” Buying art for Christmas All of the above, plus a load more stories along the same lines, give us much more than a mere hint that online art sales will be healthier than ever this Christmas. 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A short video overview …
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